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![]() In order to enable certain functions and achieve higher levels of performance of the Site, the latter uses a cookie system : these are files sent by the Site server and registered via the User’s browser on the User 's hard disk, containing information relating to the navigation and activity performed by the User (website pages visited, geographic area, websites which led to this Site, orders placed and completed), which are then relayed from the user's computer to the Site server during any future visits to the Site. Personal data shall not be subject to dissemination. ![]() importers, distributors, dealers, shipping companies, banks and credit institutes, Internet providers), or to Interfashion Group companies or those belonging to their sales and servicing networks (branches, importers, distributors, agents, workshops) which may have their headquarters outside the EU and, in this case the data will be processed exclusively for the above indicated purposes personal data will be accessed by the Data Processors and the Designated Officers appointed by Interfashion and Triboo Digitale and the above mentioned subjects. For these exclusive purposes, User data may be communicated by Interfashion SpA to subjects and operators with whom Interfashion SpA and Triboo Digitale have specific contracts (i.e. In particular: to allow web navigation, registration, conclusion and execution of purchase contracts, handle the provision of products and services requested by Users, to provide information and assistance required by Users or, based on a further Information note and consent granted by Users, in order to perform all commercial and sales activities. ![]() 196 dated June 30th 2003 – Personal Data Protection Code. Marco Realfonzo, using manual and automated systems in compliance with what required by L.D. 336, Milan, Italy (hereafter “Triboo Digitale”), the Data Processor designated by Interfashion SpA to manage the Site and all related services (maintenance, updating, Customer Care services, sending of newsletters etc) and also the co-Controller exclusively for the processing of data as appointed by Interfashion SpA pursuant to the on-line transactions generated by the Site store, and more specifically by the company’s legal representative pro-tempore Dr. 58/90 (hereafter “Interfashion”) and by Triboo Digitale S.r.l., with registered office in Viale Sarca n. 196 dated June 30th 2003 - Personal Data Protection Code.Īll personal data provided by the Users visiting the HIGH website (hereafter the “Site” will be processed by the Data Controller, Interfashion SpA with registered office in Rimini, via Coriano n. All data provided by those visiting the Site will be processed paying maximum attention and taking all necessary precautions to guarantee their safety, in full compliance with the Italian Personal Data Protection Code rules and regulations. Interfashion SpA and Triboo Digitale give fundamental importance to the privacy of their Users. The HIGH website is owned by Interfashion SpA and managed by Triboo Digitale S.r.l. ![]() It’s somewhat of a niche problem, but it’s one that’s worth addressing.Īnd then it dawned on me. While I like Canon cameras and love the capabilities of tilt-shift lenses, I would like to see if there are other ways to handle this issue. The only mainstream lens manufacturer I know of that sells tilt-shift lenses is Canon. Shift is used to adjust the position of the subject in the image area without moving the camera back this is often helpful in avoiding the convergence of parallel lines, as when photographing tall buildings. Tilt is used to control the orientation of the plane of focus (PoF), and hence the part of an image that appears sharp it makes use of the Scheimpflug principle. “Tilt–shift” encompasses two different types of movements: rotation of the lens plane relative to the image plane, called tilt, and movement of the lens parallel to the image plane, called shift. Sometimes the term is used when the large depth of field is simulated with digital post-processing the name may derive from a perspective control lens (or tilt–shift lens) normally required when the effect is produced optically. Tilt–shift photography is the use of camera movements that change the orientation and/or position of the lens with respect to the film or image sensor on cameras. So this is the kind of stuff I’ve been doing in my work life lately.I’m not sure when it clicked for you that tilt shift could be had easily and practically, in camera with some recent models, but that time was today for me. The “miniature” theme is obvious and literal in this movie, but I especially like the way tilt shift is employed in the title sequence to convey a sense of size distortion from the very beginning. One last movie where I’ve noticed the tilt-shift technique used to great effect is Jack Black’s 2010 Gulliver’s Travels. And their influence on campus, which they think is so significant, is actually equally puny, full of sound and fury and signifying nothing (as seen in their meeting with Harvard’s president). The twins think they’re such big shots, but this race is puny in the larger scheme of things. I decided it might be more “subjective” if the world around the races fell away in focus, leaving the rowers to move into and out of planes of focus to accentuate their piston-like effort.īut for me as a viewer, ignorant of Fincher’s shooting schedule and creative decisions, the use of tilt shift in that scene was to make the Winklevoss twins-portrayed in the film as holding very high opinions of themselves and their place in the world-appear diminished. The only way to make the date for release was to make the backgrounds as soft as humanly possible. We could only shoot 3 races at the Henley Royal Regatta We had to shoot 4 days of boat inserts in Eton. I read an interview with The Social Network director David Fincher ( here) in which he said the reason for tilt shift here was practical: Can you see the miniaturization effect on the longer shots? Take a look at the opening 20 seconds of this clip. I next noticed the technique in The Social Network, at the Henley Royal Regatta, where the Winklevoss twins are racing for Harvard’s rowing team in the Grand Challenge Cup. That London is Sherlock’s playground, his game board, and he sees the city as just a tiny, blurry setting against which the clarity of the intellectual puzzles he loves can take over as the central focus. The first place I noticed it was in the opening credits of the BBC’s “Sherlock” television series.Ĭan you make out the miniaturization of London in this clip? I have no idea why the tilt-shift effect (plus a cool use of time lapse) was employed, but I can tell you how I interpret it. It took awhile to learn what it was called (tilt shift), but I’m really intrigued by its use and what it contributes to my experience of a film.īasically the effect of tilt-shift photography is to create a visual impression that what you’re seeing on the screen is a miniature set, almost like a doll-house world. So when I teach them about lighting and lens focal length and camera movement, we are primarily concerned with the image within the frame-what we see when we view a movie.Ī few years ago I noticed something new onscreen that I’d never seen before. My students are analyzing films, not making them. For some basic background on tilt-shift photography, check out the Wikipedia article here. I’m no expert on the technology itself, except to know that what used to be done with camera lenses and movement can now be done post-production using software. I’m teaching film studies this quarter, and one of the small pieces of information I introduce to help students develop a vocabulary for talking about movies is the concept of “tilt shift” photography. ![]() It turns your Android phone into a motivational alarm clock that helps you get out of bed first and makes you get all your 'to do's done successfully in the morning. ■ Prevent uninstall: This feature prevents you from uninstalling this app while the alarm clock is ringing ■ Prevent turn off: This feature helps you wake up by blocking your phone from turning off while the alarm clock rings ■ Quick alarm for quick tasks that you can use when you don't have the least amount of time to set up ■ Use Snooze / Gradual volume increase / Vibrate features to wake up smoothly ■ Customize by playing your own music, songs, and selecting background colors ■ Check current temperature and pick your outfit for the day ■ Start sticking to your morning routine with a free trial today! ■ Ad-Free Experience - Remove all ads, and customize what you do or don’t see, such as the weather & news, or the farewell dialog ■ Step Mission - Get out of bed and take 10 or 20 or 50 steps to get moving right away ■ Typing Mission - Type a few motivational quotations into your keyboard to energize yourself as you get up ■ Time Pressure - Get AI voice dictation of the exact time and a custom message every single minute until you turn your alarm off But if you wait for too long, you get a second, very loud alarm ![]() ■ Backup Sound - Sometimes your alarm just doesn’t get you up. 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I'm talking to you by telephone from the Oval Room at the White House. These things are massive.īlack Ops Technician: We copy. Neil Armstrong (could be Buzz): Control, we are inside the ship. We have 21 minutes.īlack Ops Officer: three minutes, forty-five seconds and counting. The Apollo Eleven is, at the moment, on the far side of the moon.īlack Ops Officer: Neil, you are dark on the rock. Walter Cronkite: We now have had confirmation of loss of signal from the Apollo Eleven. NASA Officer: Eagle, we're getting a signal interference. NASA Officer: Apollo 11? This is Houston, over. Neil Armstrong (?): Unofficial time on the first step, one-oh-nine, to. That's one small step for man, one giant leap for mankind. Neil Armstrong: I'm at the foot of the ladder. Walter Cronkite: Perhaps four hundred million persons are watching this broadcast today of the greatest event in our time and one of the great events of all recorded history. You got a bunch of guys about to turn blue. Neil Armstrong: Houston, uh, Tranquility Base here. Faint shadow.īuzz Aldrin: Capcom, flight. Neil Armstrong: Forty feet, down two and a half. NASA Officer: Houston, you're a go for landing. Walter Cronkite: Apollo 11 is on the way, riding that pillar of flame from the Saturn Five out there two hundred and fifty miles away where the moon is waiting for man 's first arrival. Neil Armstrong: Neil Armstrong reporting Apollo 11 on proper heading. of landing a man on the moon and returning him safely to the Earth.Ĭountdown Guy: Ten, nine- Ignition sequence start. President Kennedy : I believe that this nation should commit itself. President Kennedy: You get there before the Russians. ![]() McNamara: We're going to attempt a manned mission. President Kennedy: Well, then you tell NASA to move heaven and earth. We think the Russians are onto it as well. We believe a UFO has crashed into the Moon. McNamara, the President is expecting you. NASA Director: What? Get me Sec-Def on the phone right away. It was carrying a secret cargo which would have changed our planet's fate. Optimus Prime: But in the war's final days, one Autobot ship escaped the battle. Overmatched and outnumbered, our defeat was all but certain. and the Decepticons who dreamed of tyranny. came the war, between the Autobots who fought for freedom. Optimus Prime: We were once a peaceful race of intelligent, mechanical beings. are for descriptive stuff like growling. : Dialogue is not given any clear subtitles, and I'm guessing. I also use it for locations subtitled in the movie. Italics: Dialogue is spoken in another language and translated. Transcript of Dark of the Moon, as it is filmed. Transformers: Dark of the Moon Transcript You can recover data files from both types of partitions FAT and NTFS partitions including major versions of these partition types. You can also recover data from an external hard drive using this software. 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![]() A failed check ruins the materials used, while a check that fails by 5 or more results in a cursed item. The DC of this check can increase if the crafter is rushed or does not meet all of the prerequisites. See Magic Item Creation for more details on which Craft and Profession checks may be substituted in this manner. ![]() Alternatively, you can use an associated Craft or Profession skill to attempt this check instead, depending upon the item being crafted. Skill Check: Successfully creating a magic item requires a Spellcraft check with a DC equal to 5 + the item's caster level. Some magic items similarly incur extra costs in material components, as noted in their descriptions. For a wand, the creator must expend 50 units of the material component. For potions and scrolls, the creator must expend the material component cost when creating the item. Staves: The price for staves is calculated using more complex formulas (see Magic Items).Ī 0-level spell is considered to have a spell level of 1/2 for the purpose of this calculation.Įxtra Costs: Any potion, scroll, or wand that stores a spell with a costly material component also carries a commensurate cost. Wands: Base price = spell level × caster level × 750 gp. Potions: Base price = spell level × caster level × 50 gp. Scrolls: Base price = spell level × caster level × 25 gp. To find the final price in each case, multiply the caster level by the spell level, then multiply the result by a constant, as shown below: The caster level must be low enough that the spellcaster creating the item can cast the spell at that level. The price of these items (and thus the cost of the raw materials) also depends on the caster level. Item Cost: Brew Potion, Craft Staff, Craft Wand, and Scribe Scroll create items that directly reproduce spell effects, and the power of these items depends on their caster level-that is, a spell from such an item has the power it would have if cast by a spellcaster of that level. Time: The time to create a magic item depends on the feat and the cost of the item. A character generally has access to what he needs unless unusual circumstances apply. Using an item creation feat also requires access to a laboratory or magical workshop, special tools, and so on. Raw Materials Cost: The cost of creating a magic item equals half the base price of the item. Regardless of the type of item each involves, the various item creation feats all have certain features in common. Item Creation FeatsĪn item creation feat lets a character create a magic item of a certain type. Characters with multiple critical feats can decide which feat to apply after the critical hit has been confirmed. Characters without the Critical Mastery feat can only apply the effects of one critical feat to an individual critical hit. Critical FeatsĬritical feats modify the effects of a critical hit by inflicting an additional condition on the victim of the critical hit. This designation does not restrict characters of other classes from selecting these feats, assuming that they meet the prerequisites. Combat FeatsĪny feat designated as a combat feat can be selected as a fighter's bonus feat. A metamagic feat lets a spellcaster prepare and cast a spell with greater effect, albeit as if the spell were of a higher spell level than it actually is. Others are item creation feats, which allow characters to create magic items of all sorts. Some feats are general, meaning that no special rules govern them as a group. If, at a later time, he regains the lost prerequisite, he immediately regains full use of the feat that prerequisite enables. A character can gain a feat at the same level at which he gains the prerequisite.Ī character can't use a feat if he loses a prerequisite, but he does not lose the feat itself. ![]() Your character must have the indicated ability score, class feature, feat, skill, base attack bonus, or other quality designated in order to select or use that feat. By selecting feats, you can customize and adapt your character to be uniquely yours. Many of them alter or enhance class abilities or soften class restrictions, while others might apply bonuses to your statistics or grant you the ability to take actions otherwise prohibited to you. While some feats are more useful to certain types of characters than others, and many of them have special prerequisites that must be met before they are selected, as a general rule feats represent abilities outside of the normal scope of your character's race and class. These abilities are represented as feats. Some abilities are not tied to your race, class, or skill-things like particularly quick reflexes that allow you to react to danger more swiftly, the ability to craft magic items, the training to deliver powerful strikes with melee weapons, or the knack for deflecting arrows fired at you. ![]() Choose the most suitable pair of shoes from our great. In 2008, Red Wing Shoes added a Heritage/Lifestyle catalog with models drawing inspiration from past styles within the company's century-long history. Red Wing 6-Inch Mock Toe 405 180 Photo: retailer Red Wing boots have been in production since 1905, and in the more than a century since they went into production the brand has become. Visit our best online shoe store in Canada or discover the locations of our shoe stores in Toronto. 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I realize that Greg is meant to be somewhat adrift and confused at first, but eventually he morphs back into a standard-issue Owen Wilson character who wants to understand, even as he naturally drifts into goofball mode. When Isabel and Greg are together and figuring out their situation, the movie works beautifully and in interesting ways, but when we push too deep into Greg’s personal life or anything outside of this couple, I lost interest. It’s a wild performance that is captivating and probably better than this listless movie deserves. As you may have guessed, the big mystery of Bliss is “Is any of this real?” Is Isabel a kook, or are her theories about different planes of existence genuine? I was always pretty much convinced of one potential outcome, but it is fascinating watching these two personable actors get to try on different types of roles, especially Hayek who zig-zags between crazed homeless woman and brilliant scientist. But because of Isabel’s ranting, which he believes, he’s beginning to take less of an interest in his kids, who he’s growing to be convinced aren’t real.Įventually Isabel gathers enough special pills to transport them to the world that controls ours, and it’s a virtual paradise in which Hayek is a scientist, still running tests on this technology but convinced these jaunts are making people in this world feel better about themselves and their environment. Emily very much wants to reconnect with her father, but only after he’s gotten his life back together. But Greg is haunted by aspects of his life that he’s convinced are real, like the fact that he has two grown children, Emily (Nesta Cooper) and Arthur (Jorge Lendeborg Jr.). It turns out Isabel lives among the homeless under the highway and has fairly substantial digs where she hides the technology she uses to move back and forth between the real world and this virtual one. Being a former drug addict himself, he’s hesitant but game since he doesn’t see this as addictive behavior. Isabel takes different colored pills to increase her state and invites Greg to do the same. She proves that by waving her hands around a bit, and showing that she has power over every person in the bar she even clears up that little murder situation with a carefully opened window in Greg’s former office building. He manages to cover up the death in a very funny way, but he bolts out of the building and into a nearby bar, where he meets Isabel (Salma Hayek), who recognizes him as someone from the real world and not this artifice they are currently existing in. The film opens with Greg (Owen Wilson) getting fired from his job by his boss (Steve Zissis), whom he then accidentally kills. Image credit: Hilary Bronwyn Gayle/Amazon Studios This time around, Cahill examines the possibility that we’re all living in a construct, an artificial reality set up by scientists to allow people to test drive the life of an unfortunate-someone poverty stricken, a substance abuser, etc.-to make them feel better about their own existence in the “real world.” Rich people, I swear. His latest work, Bliss, marks a departure from working with Marling but a continuation into his examination of blurry science fiction that seems to be set in the very near future. I’ve liked the two films director Mike Cahill made in collaboration with actress and co-writer Britt Marling, Another Earth and I Origins. ![]() This module is designed to detect antivirus status on your PC and help you enable the protection easily. This module is designed to defragment your HDD and trim your SSD for top disk performance. This module is designed to improve your PC performance by compacting and optimizing registry. 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